The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
Faye Dunaway has chosen Tea at Five as the vehicle to bring her back to Broadway after a 37-year absence. Would that she had waited a bit longer for a vehicle more worthy of her considerable talents.
Ethan Mordden’s exhaustive take on Barbra Streisand may not be what diehard fans are looking for.
Expert performers and taut direction make this Cloud 9 a natural high.
This new musical is charming and lively, but without some renovation its future life is in question.
Do musicals with honorable intentions deserve a pass when it comes to quality?
James Graham’s new play almost evokes sympathy for the devil. Almost.
Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.