Play It Loud is porn for musicians and fans who fetishize the tools of the trade.
“Since the late ‘60s I’ve been up and down the Northeast corridor, and Boston’s always one of our favorite stops.”
This month focuses on contemporary country-rap. It’s high time we take note of a fledgling genre on the verge of mass popularity.
The music Nick Waterhouse performs (almost all of which he writes) is consistently retro—not to mention relentlessly danceable and fun.
“Forgiveness is the key and love is the answer… Have a good Jazz Fest, but also have a good life.”
Luckily for us, after playing the occasional electrifying concert date over the years, Nervous Eaters is reuniting once again.
Drummer Nick Mason and his four non-Floyd bandmates turned Boston’s Orpheum Theater into a psychedelic palace.
Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
Overall, Juliana Hatfield’s Weird is closer to good than to great.