This album led me to choose, for a summer project, to listen to all of the music of Janáček — and it has been a complete delight
This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
The BPYO’s repertoire in Brazil is drawn from last year’s programs and is built around Rachmaninoff’s Piano Concerto no. 2.
Thanks to BEMF for once again presenting Benjamin Bagby, who seems incapable of serving up anything but a wonderfully memorable experience.
Helen Gillet’s music welcomes loops of all sorts and plays with the happy accidents that create new melodies and rhythms that reach beyond borders.
This entertaining opera is a real soap opera, given that it chronicles the fallout of the passionate protagonist’s unrequited love.
Letters from Gettysburg is an extraordinarily haunting five-movement work that elevates the experience of one man into a memorial to all victims of war.
The six pieces hailed from various corners of the country and examined a wide range of expressive and social viewpoints.
François-Xavier Roth’s Mahler offers plenty of personality and ideas; there’s nothing on Mariss Jansons’ disc that’s really worth your time; guitarist Daniel Lippel draws out Steve Reich’s lyrical qualities.
Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.